1. Heart of Gold - Charles Bradley & The Menahan Street Band
I'm not a big Neil Young guy, but when I heard the opening riff of this great soul cover, I knew exactly what song it was going to be. I first put Charles Bradley on my radar a couple years ago, and I look forward to hearing more. His version feels much more "lived in" and painful than Neil Young's ever did to me (I should note that I don't actually dislike Neil Young).
'I used to hate it when it came on the radio. I always liked Neil Young, but it bothered me every time I listened to "Heart of Gold." I think it was up at number one for a long time, and I'd say, "Shit, that's me. If it sounds like me, it should as well be me."' - Bob Dylan2. Step - Vampire Weekend
Melissa and I heard this one while waiting in a long line of cars at the MSP Humphrey Terminal last December. This was the first time Vampire Weekend had really grabbed me. I love how dense the lyrics are in this song, and now that I'm digging into it, I find that it's full of sideways references to other bands, songs, etc. For someone who geeks out on hyperlink songs like "American Pie," this is catnip. One theory, which I like, is that the "girls" referenced in the song are musical tastes. Every time I see you in the world, you always step to my [music]. That titular line, and the melody of the chorus, are taken from a Souls of Mischief song called "Step To My Girl," which is also good. Maybe that's why Melissa dug the song when we first heard it -- it's got underground Oakland hip-hop in its DNA.
3. Asleep at the Wheel - Band of Skulls
Heavy, riffy, hard blues rock from an English trio. Not a lot going on under the hood, but I don't really pay much attention to lyrics anyway. The reviews I've read like to compare it to later White Stripes or, as Allmusic puts it, Muse playing a Black Keys song (or vice versa). But I'm reminded more of Sabbath.
4. Savion Glover - P.O.S.
P.O.S. spits the anxieties of the late Bush era into a restless and efficient track from Doomtree's 2007 album. Great hook, great wordplay and lyrical pivots. I also love the metaphor of the last line and the title as regards the architects of the Global War On Terror (GWOT, TM) and the invasion of Iraq.
5. Chain My Name - POLIÇA
A track I really liked the sound of from local synthpop outfit POLIÇA. Looking at the lyrics just now, it reads like it's about a crumbling marriage. I just enjoyed that it sounded like 16-bit video game music.
6. Far From Any Road - The Handsome Family
I didn't think the finale really stuck the landing, but True Detective's deep sense of dread really stuck with me, and I found myself more affected after watching any given episode of the HBO miniseries than anything I'd seen in a long time. The opening credits music by the Handsome Family contributes greatly to the foreboding (helped further by the haunting visuals -- I don't know why, but I found the oil industry landscapes to be some of the visually creepiest things in the show). I know I'm not the only one who thought the opening verse referenced "the poisoned Creole soul," in reference to the story's Louisiana setting, but it's "the poison creosote," in keeping with the desert imagery of the rest of the lyrics. I wonder if the second season, set in California, will keep the song. (Bonus: check out the opening from this season of Key & Peele.)
7. Turn-of-the-Century Recycling Blues - And The Professors
I just found out yesterday that the singer & songwriter here is Adam Levy, formerly of the Honeydogs, who joined us for Show X back in January and with whom I had a good chat about his love of film composer John Barry. I've sent him some questions about this song, so I might have more to say soon, but for now: My first reaction to this song was just how pleasant and sunny the arrangement was. But then the competing undercurrents of good-old-days nostalgia and the ugliness that lurks throughout history shone through in the lyrics. Very Randy Newmanesque, in both music & lyrics. It's almost like a far more musically interesting, less on-the-nose We Didn't Start the Fire for the 60 years preceding that song's time span. It brought to mind things like Ragtime and Bioshock Infinite and the idea that the happy times that the winners of history remember fondly have some blood stains on them.
8. Hey, Girl - Sonny Knight & The Lakers
Just... damn. I want to learn the horn part. I love the overall sense of propulsion, and the way the downward horn figure continues for several more notes than expected going into the bridge, and the drum break that seems to be a hat tip to the Amen Brother break, and Sonny's enthusiastic talking bit, and the shout-outs to the soloists, and that the trumpet player bobbles the first couple notes coming out of the bridge, and all of it.
9. GMF - John Grant
First heard this on The Current. The radio version's chorus refers to "The Greatest Living Person". Something about the syllabic scan of that line suggested to me the song was edited. When I heard the title was GMF, I knew I was right. I love songs where the protagonist is the jerk (the antihero trope is far less played out in music than it is in prestige TV dramas). Paired with lush production, I'm sold.
10. Busy Earnin' - Jungle
High-energy music that makes me happy.
11. Water Fountain - Tune-Yards
One of the things I enjoy about Merrill Garbus' songs is that she generally seems like she's having a blast, even if, as in this case, the lyrics seem to be referencing world issues of starvation and water access. There's something wickedly subversive of couching issues that heavy in music that starts out sounding like a double dutch chant and ends up at one point with a freakout that would be at home on the Katamari Damacy soundtrack.
12. Pushin' Against A Stone - Valerie June
Joe Bozic alerted me to this song's existence last spring, and I really dug it. It's by far the most r&b/rock-oriented song on June's album with the same title, which displays pretty diverse musical interests and influences. When she came to town for Wits with Kumail Nanjiani in June, she played more country-oriented stuff, which is less my bag but better showcased her voice. She also helped Kumail and Mike and the rest of the crew explain how to buy a donkey (you can totally hear me laughing in this video).